The 4by6.com Sample Kit contains examples of these "perfect card" techniques to help you get beautiful results.
Printed CMYK color can look very different than the RGB color on your monitor. Use these tips and techniques to ensure your printed colors are as close as they can be to what you expect.
Always convert your images to CMYK color mode before printing. CMYK
printing cannot always match colors in RGB. After conversion, an image
color may shift. Refer to the Setting Brightness & Contrast or Getting the
Best Color sections for post-conversion tips.


RGB is additive color constructed from Red, Green and Blue lightwaves. CMYK is subtractive color made up of Cyan, Magenta, Yellow and blacK inks.
RGB
CMYK
We recommend the Adobe Photoshop Mode control in the Image menu.
Use the Image menu to adjust color mode
Design Support can convert your image color mode for preview before printing.
We've made the complicated process of predicting final printed color easy. Simply order a 4by6.com Sample Kit and download the accompanying Color Calibration Tool. Compare the two to see how your color may shift in the final print.
Every monitor renders color slightly differently depending on its calibration.
For Mac users, use the Color Calibration tool in the Displays System Preferences category. For PC users, refer to your graphics card manual for specific calibration instructions.
The four color printing process offers a variety of choices for printing black, which should be chosen with your file type in mind.*
Flat Black uses black ink only. Rich Black uses cyan, yellow and magenta inks in addition to black ink. Rich Black prints more vibrantly, but Flat Black prints more precisely.
Flat Black (C=0 M=0 Y=0 K=100)
Rich Black (C=60 M=40 Y=40 K=100)
Use flat black for typography and thin lines or rules to ensure crisp, precise edges.
Use rich black for photography and larger vector shapes to ensure rich, vibrant color.
Overprinting tells the printer
to print one ink on top of
another, rather than next to
it. Select overprinting for
Flat Black type or rules to
eliminate white halo effects
due to small printer shifts.
Select overprinting for your blacks in the
attributes panel of Adobe InDesign or Illustrator
Small shifts can happen in printing,
leaving white halo effects around black
type or rules.
Overprinting your blacks ensures no
white halo effects around your type or
rules.
Always convert spot color logos, type or images to CMYK color before
submitting your file as we print with four-color process inks.
Spot color is printed using matched inks to print specific colors, whereas CMYK color is printed using Cyan, Yellow, Magenta and BlacK inks overlaid upon each other to create all colors in the spectrum. Because process inks aren't specifically matched, some colors may shift in appearance once you have converted them from spot color to CMYK.
Logo before process color conversion
Logo after process color conversion
Select the CMYK color mix specific to your spot color from the PANTONE® Color Bridge Guide to guarantee the most accurate process color. If you're having trouble converting your spot colors, please contact Design Support for assistance.
Pantone Color Bridge swatch books demonstrate the difference between spot and process color